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VOL.52, NO. 1
WINTER 2024
ISSN 2573-7597
Peeling the Onion of Masculinity: Jane Campion’s
Power of the Dog
as Gothic Western
Mark Asquith (Independent Scholar)
Retreating from History: The Privatization of Nostalgia in Noah Baumbach’s
White Noise
M. Keith Booker (University of Arkansas)
Transforming Monster-Human Relationships in BBC’s
Dracula
and NBC’s
Hannibal
Drumlin N. M. Crape (Queen’s University)
Despite Appearances, Film Causality is no Coincidence in
A Perfect Day
(Fernando León de Aranoa, 2015)
Ruth Gutiérrez Delgado (Universidad de Navarra)
Speaking Through Her: Christine Jeffs’
Sylvia
and the ongoing misinterpretation of Sylvia Plath
Rosalind Moran (University of Cambridge)
