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VOL.50, NO. 1
WINTER 2022
ISSN 2573-7597
The Tableau Vivant and the Intermedial Clash: Temporality and Power-Dynamics in Fassbinder’s
Fontane Effi Briest
Ido Lewit (Tel Aviv University)
Rethinking Fidelity, Adaptation, and Propaganda:
Garden of Repose
on Screen
Yi Li (Zhengzhou University, China)
From Shakespearean Comedy to Postcolonial Farce: Genre and Trope in the Indian Cinema Adaptations of
The Comedy of Errors
Ashmita Mukherjee (University of Connecticut)
Direct Address on Stage and Screen: Shakespeare’s
Richard III
and Netflix’s
House of Cards
Ryan Twomey (Macquarie University, Australia)
A Magnificent Failure: Dialectical Cinema and Stardom in Norman Mailer’s
Wild 90
Glen Wood (Millsaps College)