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VOL.46, NO. 1
Winter 2018
ISSN 2573-7597
Gender (de)Constructions and “Disjunctive Montage”: Narrative
Telos
and Filmic Play from Charles Dickens’
David Copperfield
to Neil Jordan’s
Breakfast on Pluto
Alexander Bove (Pacific University)
From “The Worst Horror of All” to “I Love You”: Gender and Voice in the Cinematic Soundscapes of
Brighton Rock
Laurel Harris (Rider University)
Monstrous Beckett: Viewing
Eh Joe
through the Peephole of
Psycho
Graley Herren (Xavier University)
Adaptation and Intertextuality in Abdellatif Kechiche’s
Blue Is the Warmest Color (La Vie d'Adèle—Chapitres 1 et 2)
J Paul Johnson (Winona State University)
Humbling the Soldier in Kurzel’s
Macbeth
and Parker’s
Othello
Phillipa Sheppard (University of Toronto)
