Current Issue


Table of Contents, 44:2 (2016)

Click here to order a copy of this issue

Elsie Walker (Salisbury University)

Letter from the Co-Editor (full text free online):  The Ever-Widening Conversations of LFQ, and Our Move to Open Access

Benjamin Hilb (University of South Florida, Tampa)

Intermediality in Orson Welles’s Shakespearean Collage: Competing Narrative Modes and Media in Chimes at Midnight  

Antony Johae (Kuwait University)  

“Thy drugs are quick”: Postmodern Dissolution in Baz Luhrmann’s Romeo+Juliet

Tessa MacLean (McGill University, Canada)

Preserving Utopia: Musical Style in Baz Luhrmann’s The Great Gatsby

Kate McQuiston (University of Hawai‘i at Mānoa)

The Soundtrack Doth Repeat Too Much: Or, the Musical Spectacle of Keeping Up Appearances in Robert Altman’s The Long Goodbye

J. Asia Rowe (PhD Candidate, University of Connecticut)

The Filmic Mode and Filmic Spectator in Buchowetzki’s Othello and Nelson’s O

Laurence Raw (Başkent University, Ankara, Turkey)

Book Review: OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation

© 2015 Literature/Film Quarterly @ Salisbury University
Contact: 410-677-5357,

open in cms UPDATE